memory pillow project

A dear friend asked me to help her out with some pillows she wanted to make for her nephews for Christmas. Their grandfather had passed away and she wanted to use some of his old clothes to make mementos for them. She and I went to RISD together, so we are on the same wave-length aesthetically. She said she wanted pillows pieced in the"Gee's Bend" style.

"Blocks and Strips" by Mary Lee Bendolph (photo Tinwood Media)

If you're not familiar with Gee's Bend, the name refers to the rural town in Alabama, a mostly black community with a history of economic struggles, but a strong sense of community. The tradition of quilting carried on there through the civil war, various economic upheavals including the Great Depression, floods of the Alabama River, and on to the present day.

"Housetop" by Lillie Mae Pettway (photo by Tinwood Media)

The quilts were made with available scraps of worn-out clothes with the freedom and innocence of "outsider art" although they were created for strictly practical purposes much like Amish quilts were. A collector discovered them in the late '90's, bought up hundreds of them and began exhibiting them. When viewed out of context in museums like the Whitney, they are bold, striking modern art. The book about them is wonderful. Auburn University has a wealth of information on them as well as a nice catalog.

The pile of items my friend sent looked random at first glance, but that's what you want if you're emulating the Gee's Bend style.

Many of the Gee's Bend Quilts are variations on the "Log Cabin" quilt pattern. I find this pattern lends itself to creating a spontaneous effect, as long as you don't measure anything, that is. Starting with a squarish shape, strips can be added on the outside edges, working in succession around it until you have the size you're after. True things as you go, or not. It's better if there is some unevenness to it.

I decided to keep the shirt pockets intact, because I think boys find them fun and it is more of a reminder that this was Grandpa's shirt. I also added a few of my own scraps of chambray to help make everything hang together more. But what you definitely don't want is to get matchy-matchy with it.

I also keep the button plackets intact for the backs for the perfect way to get the insert in & out for washing.

I tried not to be as anal as I usually am and just go with it. It actually goes very quickly when you're not trying to be precise. At the end, I trued it all up to the dimension of the pillow.

I hope they like them!

hand block printed textiles by galbraith & paul

We couldn't stay away. Beth & I made the trek again into Manayunk, PA for Galbraith and Paul's annual sample sale on Saturday. I swore I'd never come back to Manayunk after getting 2 parking tickets in one day last time, but I was so bummed-out that my camera didn't work then, that I was able to be persuaded. I just am so heartened to see a handmade business thriving right here in the USA and on this scale. People fly in for this sale. The fabric is highly sought-after. I'm sure they've felt the pressure to get the price down by taking production off-shore, but so far the fabrics are all made here.

It was the usual feeding frenzy with the piles of pillows and the "by the pound" scrap table seeing a lot of action. I was tempted to start a new decorating project, but I only just finished the padded headboard  using the smokebush printed linen I bought here last year.

Originally, Galbraith & Paul were known for their handmade paper lampshades. Now the lampshades are fabric. Room and Board carries the pillows & lampshades. They have also ventured into rugs and wallpaper.

 So mod- so fab!

A complicated pattern like this takes either multiple blocks and/or requires hand painting more than one color on a block. It requires skilled artisans to execute.

These are some of the "blocks".

The ink is applied with these little rollers.

Just like at the paint store!

My friend Beth's new best friend: Liz Galbraith. Mr Paul was working the register. Even Liz's little boys were helping customers.

A glimpse of future designs on the pin-up board in Liz's studio. The loveliness continues...

team spirit at the clover market!

Last Sunday was the final Clover Market of the season and my last show for the year as well. I decided not to do any Christmas shows, because if I've learned one thing after doing six shows since May it's this: shows are a lot of friggin' work! Family life is busy enough during the holidays!

a dear little customer checking out Penelope

I don't seem to have the discipline to pace myself with product production between shows. I routinely do all-nighters before each one due to insecurity. Did I make enough new stuff? Do I have enough of a certain item to make an impact? Am I just too lame for words? Once I'm there, though, and the customers start coming in, it becomes fun and feels like it's worth it. In my previous life as a designer for a clothing company in New York City, I never got to chat with customers or see their reactions first-hand. I really value the insight meeting the customers gives me and I feel less and less like I'm blindly making stuff and hoping for the best.

One of my new products: lavender sachets. Finally a use for my precious vintage tablecloth scraps- boy do I hate to waste good fabric! I'm using the lavender I brought back from Willow Pond Farm in June. Gosh. it smells good! Teacher gift anyone?

Michabella

This particular Clover Market was extra fun, not just because of the stellar fall weather. I got to pal around with several members of some of the Etsy teams I am on. Michelle of Michabella from the treasury-curating team, Curation Nation, was there with her jewelry collection. I love her pendants made from geode slices and her lucite filagree earrings. Her fool's gold pendant is on my Christmas list... honey, are you paying attention?

Beeps' Peeps

From the Etsy Kids Team, Brita of Beeps' Peeps was there. I enticed her to come to the show because Ardmore is such a family place. It seems like every other shopper there is pregnant or is pushing a stroller-

Beeps' Peeps

the perfect audience for her play mats and cheerful, kid-friendly accessories!

funretro

I was looking forward to meeting Natalie of funreto, also from Curation Nation. I cannot tell you how many times I've used her cool vintage pieces in my treasuries. I don't know how she does it, being a full-time teacher on top of running a busy Etsy shop, but she does it well.

Almanac Industries

I am such a sucker for letterpress! I met Jacob & Whitney of Almanac Industries at the Brandywine Arts Festival in Wilmington and loved their aesthetic which is masculine and vintagey..

I mentioned the Clover Market to them and they actually jumped on it and did the show. I hope to see them again next time.

youngest member of "team chirp"

My dear husband and kids have been such troopers while I've pursued this craft show adventure. I did not realize the impact it would have on them, having to endure my frenzied hysteria before each show and my neglect of household duties, not to mention the early morning set-up duties. Yay for team chirp! Now back to a normal life for a few months at least ;)

collage poetry for kids

I'm trying something different with the kids this summer. I did not sign them up for any day camps like I usually do. I realized last summer that I was doing almost as much running around, picking up and dropping off for camps, as I was during the school year. It didn't feel like much of a summer break when we still had to be out the door by a certain time, and the kids weren't available to do anything spur-of-the-moment. Plus, I was tired of them coming home from camp with stupid "crafts" made from that sticky-back foam from the big box craft store that comes pre-cut into shapes so you don't have to think to make something.

So we kicked off the summer with a trip down to my parents for art "camp" in Mom's studio. Both kids had a good time making sculptures out of wood scraps and found objects. 

No, they did not get to use the chop saw!

Mom was working on some collages that Emma latched onto right away.

Rosemary Luckett

Something about the cut-out words makes the phrases more spontaneous. I liked them a good deal myself and think some version would be cool in her Etsy shop. Right now they are in book form.

Rosemary Luckett

Emma immediately wanted to try her hand at the word collage poetry.

It's actually the perfect craft to do at home or school. All you need are magazines or junk mail, scissors, paper, and a glue stick. It's even more fun than those refrigerator magnets with the single words. Cut out some random partial phrases, single words, and words like "and" and "the".

She came up with these delightful random mini-poems.

I think I like that last one the best.

galbraith & paul sample sale

This past Saturday, the 4th, was Galbraith and Paul's famous annual sample sale. Galbraith and Paul produce the most gorgeous hand block-printed fabrics in a lovely old factory building just off Main Street in Manayunk, PA. I first admired their work in the Room and Board catalog but didn't realize they were nearby.

My Friend Beth is fan enough to own one of their large drum pendant lamps in the "smokebush" pattern, so of course we were going, along with my friend Liz, who is always game for this sort of thing. The sale is held right there in their light-filled work space which was so inspirational to see with its high ceilings, tall windows, brick walls, rows of long printing tables, and all the printing plates and inks out too see. Mounds of pretty pillows were heaped tables. Lampshades, rolls of printed yardage, rugs, and scraps by the pound were all for sale at nice discounts.

This is where the story gets sad. I very conscientiously remembered to put a newly charged battery in the camera for this sure-to-be-blog-worthy event. When I took my camera out to start shooting, it was dead! I was flabbergasted! (Miraculously, it worked at home later when I tried to show my husband the problem). Beth gave me hope by producing her iphone which I proceeded to NOT take about 50 photos with. Apparently I was pressing the wrong button the whole time and got not a single shot! We didn't catch the goof until the next day at which point it was too late to remedy the situation. So, because I am an idiot, you will not be seeing any cool eye-candy shots of the studio (the above picture is from their website), just shots of what we bought. Excuse me a minute while I get a new tissue *sniff*.

Each color in these prints are inked on the block by a real human for every repeat of the pattern. This takes skill, patience and time, therefor retail prices of the fabric are over $100/yard. The sample sale price was $65/yard.

The versatile smokebush pattern. I bought a few yards in gold on linen to make a padded headboard for my guest room renovation project which I will share later.

After the feeding frenzy of a sale, we worked up an appetite and headed back to the car to repark near a restaurant. TICKET! This is what I hate about Manayaunk. The parking is impossible. There isn't enough of it and the meters are not well maintained. This one was broken and so was the next one we fed all our quarters to. The side streets have one hour parking which isn't enough if you want to sit down in a restaurant, especially Le Bus which has painfully slow service every time. Not wanting to receive another ticket, I left the restaurant in the middle of our meal to move the car. I circled the block and nabbed another spot apparently not far enough from my old spot to avoid another ticket. Basically my tickets for the day ate up the money I saved by buying fabric at the sample sale instead of retail!

So the day ended with a bad feeling for Manayunk, but a good feeling for handmade business and good design.

rosemary luckett's altered terrain exhibit

I happen to have a very talented mother, Rosemary Luckett. We just got back from the opening of "Altered Terrain", her first solo show at Touchstone Gallery since it moved to a better, brighter, spiffier location on New York Ave in Washington, DC. It will run until October 30th.

Touchstone Gallery

Rosemary is an innovative contemporary fine artist working in the conservative Washington DC area. No easy feat. Her current work is about the radical changes man has made to the land and makes connections between the altered terrain and the often absent people who transform it.

"Slipping Away" and "Eden" by Rosemary Luckett

She has worked in many media over the years, but the work in the show is primarily collage, drawings, and assemblage sculpture.

"Robot's Cradle" by Rosemary Luckett

My daughter actually named this one when Rosemary was stuck for a title: "Robot's Cradle".

Emma pondering "Lost" by Rosemary Luckett

Kids really respond to the work.

Initially children see the ducky imagery and think its funny, but when the contrast of the man-made and the natural is explained to them, they actually get the point. My daughter is only 9 and was captivated by the show and seemed to understand the metaphors.

"Halo" by Rosemary Luckett

Even my little guy who is not quite 5 yet wanted to get in on the action. He didn't seem to be into the exhibit at the time, but the next day he begged to be taken into grandma's studio to make some art.

"Wood" by my little boy

This is what he made.

It is a challenge finding your niche whatever it is you make. I read somewhere that when you make something unique, you don't want to try to reach thousands, but reach those very few out of a thousand that resonate with your work. Being in the generation I am in, my first instinct is to go online, have a website, use social media, etc. My brothers and I have helped set Mom up with a website, Etsy shop, and Facebook page. Mom, however, prefers showing in galleries, having open studio once in a while, and sending mailings to people who sign her guest book. It is true that it is very hard to sell fine art online. Nothing beats seeing the work in person. But if you can't be there in person...

I would love to know what works for other fine artists. Feel free to comment!

brandywine festival of the arts 2010

It was threatening rain all day today, but luckily the new Brandywine Festival of the Arts wasn't rained out. After all the controversy last year over its sudden cancellation, I was eager to get over there and see the new and hopefully improved fair which is now under new management.

Wooly Baby

Yay! Evidence of the indie craft movement infiltrating the fair was found! Delaware has been largely out of the loop of the modern craft being embraced in other cities of the Northeast, but I think we are ready for it now.  Josie Marsh's Wooly Baby booties and slippers, upcycled from leather jackets and wool sweaters, were drawing a crowd. Josie will also be exhibiting at Crafty Bastards Arts & Crafts Fair, the ultimate indie craft show, in Washington, DC on October 2.

Felt It

Next door at Felt It, business was brisk as well.

Felt It

Anne Messley uses Eco-Felt made from recycled water bottles and hand appliqués her whimsical designs onto onesies, tees, tooth fairy pillows, and wall hangings (the cool kind- stretched on embroidery hoops).

Jaime Zollars

Jaime Zollars brought her fanciful screen printed illustrations up from übercrafty Baltimore for the weekend.

Jaime Zollars

Her quirky images of vintage circuses and dark fairy tales are available as archival prints, postcards, t-shirts, and buttons. Jaime will be showing at the Crafty Bastards Arts & Crafts Fair as well.

Yummy & Company

Jennifer Wilfong of Yummy & Company, also from Baltimore, displayed a mix of recycled copper and hand formed low-fire clay jewelry.

Yummy & Company

The intricate patterns are achieved by etching through one layer to another. The effect is graphic, yet delicate at the same time.

Delanco Hats

Haberdashery is back for men of all ages. Jon Compton of Delanco Hats displayed his hats, upcycled from men's suitings, with vintage flair.

Delanco Hats

 Actually, no reason a woman couldn't wear one of these, especially the "newsie" style

Chris Murray

I just recently started bringing my kids with me on my craft show expeditions, and they really seem to get into it. My daughter marches right up to the artisans and asks them questions about how their pieces are made. We spent some time talking to Chris Murray about his carved wood bird sculptures and the many hours that go into some of the bigger pieces. These feather pins look like real feathers at a glance, but are actually expertly carved and painted wood.

My boy of course loved the blacksmith demo and was content to stay there indefinitely. From there, he was whisked off to the zoo, which was free to all today.

Although overcast, it was a pleasant day under the familiar canopy of trees in Brandywine Park.